Neo-grotesque with understated personality
7 styles & weight axis variable
ExtraLight
ExtraBold
Size
Spacing
Leading
Single Storey a
Flat a,Y,y
Alternate I,Q
Alternate &
Rounded Dots
Alternate 1,0
Circle Numerals
Fill Circle Numerals
Houston, this is Orion. MET 004:12:37:08. Position 28°35’N, 147°22’W. Velocity 7.68 km/s. Altitude 418.6 km. All systems nominal. O₂ pressure 21.3 kPa. CO₂ levels stable. Telemetry confirmed. Standing by for go/no-go.
ExtraLight
ExtraBold
Size
Spacing
Leading
Single Storey a
Flat a,Y,y
Alternate I,Q
Alternate &
Rounded Dots
Alternate 1,0
Circle Numerals
Fill Circle Numerals

“I was progressing in great leaps and bounds,” I said at last, when I had calmed sufficiently to speak with some coherence. “You know something of the chemical properties, do you not? I had calculated the exact expansion of our atmosphere, so that we should experience weightlessness at precisely the right moment.”

“What you say disturbs me,” said Bedford gravely. “I do not like these calculations. Cavor, what is weightlessness like?”

There followed a silence, broken finally by a laugh as Cavor moved the sphere. “My dear Bedford, it is as though the world had slipped from beneath you. One moment your feet are sitting firmly, and the next, nothing. And yet you do not fall. You float, absolutely at rest, provided you keep still. If you move your hand, the slightest pause, the slightest current of air, carries you gently across the cabin.”

I watched him push off the floor. He floated, still as a bubble, and touched the ceiling with his fingertips. “I see,” I said, “like a fish in water.”

“Or like a leaf on the air,” he replied. “There is no sound, no pressure, no hurry.” The sphere was small. I followed him. We bobbed apart, then came together. We touched without effort, like two particles attracted by an unseen force.

When the light returned, at the moment of breaking through the lunar atmosphere, the sense of space was overwhelming. Out there, above barely a mile of air, the Moon lay before us like a dim globe, mottled and faintly luminous. The silence deepened. For one moment I felt lonely. Then Cavor exclaimed, “Look!”

The shuttle glass was pulled aside, and the edge of the surface came into view: a landscape desolate and stony, lit by a pale sunlight that was colder than any winter dawn. I saw the sphere gliding downward, darker as it skimmed ridges, blacker still as we passed into shadowed hollows. There was no noise; there could be no noise. The world beneath was our world now.

We touched. The sphere rested on long legs, like the frame of some metal insect. The Moon lay under us. I stepped out into wonder. My foot sank into grey dust that gave way like sifted ashes. A thin chill rose through me. I drew my breath slowly, not trusting it. The sky was black; the Sun was a white disc. No wind. No atmosphere. Only silence, and stillness, and the endless forging of light across the grey plains.

“I never knew anything could be so beautiful,” I breathed. “So strange.”

Cavor moved away. “I am going to take a sample of soil,” he announced. He bent down and scooped up a handful. It fell slowly through the air, grains drifting as though on water. He let it go, and the particles danced in sunlight before settling. Beneath them, the dust lay deep.

We explored. Jagged rocks, smooth plains, and deep shadows. I found footprints: ours, reaching outward into the silence. Time lost meaning. Minutes and hours merged. We wandered, companions in isolation, held together by curiosity and the sphere behind us.

We discovered a cave. It yawned, dark and still. I approached, the air beside me so empty it whispered. I stepped in. My torch revealed walls shaped by moon-stuff, an alien carving of stone. No air moved; every breath was measured. Yet I felt alive.

Cavor’s voice came from behind me. “It is hollow,” he said. “We must be careful. But what a marvel! Who could have guessed that beneath the moon’s face there is structure, a secret waiting?”

We retreated to the sphere. My mind still drifted among lunar shadows. As we prepared to depart, I looked back into the cave one last time, remembering the hush, the isolation, the discovery of something beyond our expectation. Up there, above us, the Earth shone, blue and familiar, tethered to us by memory.

We rose. The moon receded. The Earth grew once more. We would speak of this journey forever: of the silence, the weightlessness, the dust underfoot, and the lamp of home shining across the void.

ExtraLight
ExtraBold
Size
Spacing
Leading
Single Storey a
Flat a,Y,y
Alternate I,Q
Alternate &
Rounded Dots
Alternate 1,0
Circle Numerals
Fill Circle Numerals
Planet Labs, Maxar Technologies, Astranis, Astroscale, ICEYE, Surrey Satellite Technology Ltd.

Styles

SPRING EQUINOX
Atypic ExtraBold
800
October 9, 20/hr
Atypic Bold
700
Alpha Capricornids
Atypic Medium
500
Max Brightness
Atypic Regular
400
1P/HALLEY Perihelion
Atypic Text
350
ORIONIDS
Atypic Light
300
Latitude 63° Longitude 124°
Atypic ExtraLight
200

OpenType features

SS01
Round single-storey ‘a’
SS02
Flat ‘Y’, ‘a’ & ‘y’
SS03
Minimal ‘Q’ and slabbed ‘I’
SS04
Traditional “et” style ampersand
SS05
Round dots and commas
SS06
Slabbed ‘1’ and slashed ‘0’
SS07
Outlined circular numbers
SS08
Filled circle numbers
SS01
Round single-storey ‘a’ for a softer tone.
SS02
Flat ‘Y’, ‘a’ & ‘y’ for a technical aesthetic.
SS03
Minimal ‘Q’ and slabbed ‘I’ for improved legibility when needed.
SS04
Traditional “et” style ampersand.
SS05
Square dots and commas can be replaced with round versions.
SS06
Slabbed ‘1’ and slashed ‘0’ for improved legibility when numerals are important.
SS07
Outlined circular numbers, useful for diagrams and checklists.
SS08
Filled variants of the circle numbers.

Glyph set

UT
xxxx
UNIT Type
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
I
Q
Y
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
a
a
y
0
1
2
3
4
5
6
7
8
9
0
1
&
&
@
(
)
[
]
{
}
【
】
/
|
\
!
¡
?
¿
•
_
-
–
—
〜
.
,
;
:
…
'
‘
’
‚
‹
›
“
"
”
„
«
»
†
‡
*
⁂
°
§
©
®
Á
À
Ă
Â
Å
Ä
Ã
Ą
Ā
Æ
Ć
Ĉ
Č
Ċ
Ç
Ď
Đ
Ð
É
È
Ĕ
Ê
Ě
Ë
Ẽ
Ė
Ę
Ē
Ə
Ğ
Ĝ
Ġ
Ģ
Ĥ
Ħ
Í
Ì
Ĭ
Î
Ï
Ĩ
İ
Į
Ī
Ĵ
Ķ
Ĺ
Ľ
Ļ
Ł
Ń
Ň
Ñ
Ņ
Ó
Ò
Ŏ
Ô
Ö
Ő
Õ
Ø
Ō
Œ
Ŕ
Ř
Ŗ
Ś
Ŝ
Š
Ş
Ș
™
ℓ
℮
№
ẞ
Ť
Ţ
Ț
Ŧ
Ú
Ù
Ŭ
Û
Ů
Ü
Ű
Ũ
Ų
Ū
Ẃ
Ẁ
Ŵ
Ẅ
Ý
Ỳ
Ŷ
Ÿ
Ỹ
Ź
Ž
Ż
Þ
Í
Ì
Ĭ
Î
Ï
Ĩ
İ
Į
Ī
Ý
Ỳ
Ŷ
Ÿ
Ỹ
á
à
ă
â
å
ä
ã
ą
ā
æ
ć
ĉ
č
ċ
ç
ď
đ
ð
é
è
ĕ
ê
ě
ë
ẽ
ė
ę
ē
ə
ğ
ĝ
ġ
ģ
ħ
í
ì
ĭ
î
ï
ĩ
į
ī
ı
ĵ
ķ
ĺ
ľ
ļ
ł
ŀ
ń
ň
ñ
ņ
ó
ò
ŏ
ô
ö
ő
õ
ø
ō
œ
ŕ
ř
ŗ
ś
ŝ
š
ş
ș
ß
ť
ţ
ț
ŧ
ú
ù
ŭ
û
ů
ü
ű
ũ
ų
ū
ẃ
ẁ
ŵ
ẅ
ý
ỳ
ŷ
ÿ
ỹ
ź
ž
ż
þ
á
à
ă
â
å
ä
ã
ą
ā
á
à
ă
â
å
ä
ã
ą
ā
ý
ỳ
ŷ
ÿ
ỹ
¤
£
€
$
¢
¥
₪
₴
₹
₺
₽
₿
+
−
÷
×
=
#
½
¼
⅛
¾
⅜
⅝
⅞
%
‰
<
>
≤
≥
±
≠
≈
∞
0
1
2
3
4
5
6
7
8
9
←
→
↑
↓
↔
↕
↖
↗
↘
↙
↩
↪
↰
↱
↲
↳
↶
↷
↺
↻
⇄
⇆
⬎
⬏
⬐
⬑

Notes

Atypic started with a fairly straightforward idea: a workaday neo-grotesque with a bit of personality. It’s a crowded genre, so the challenge was to find something distinctive within an otherwise familiar structure. Drawing on mid-century sans-serifs its open proportions and understated details give it a relatively neutral appearance, but there’s more character there than might first appear. A range of stylistic alternates allows that character to be pushed further, or dialled back when needed.

Technical

Family
UT Atypic
Styles
7
Variable axes
Weight
Classification
Neo-grotesque
Design & production
James Smith
Version
2.001
Release date
July 2024
Glyphs
OpenType features
File formats
Web font sizes (WOFF2)
887
Standard Ligatures
Discretionary Ligatures
Contextual Alternates
Case Sensitive Forms
Small Capitals
Tabular Figures
Fractions
Numerators
Denominator
Ordinals
Scientific Inferiors
Subscript
Superscript
8 x Stylistic Sets
OTF (Desktop & App)
WOFF2 (Web)
TTF (Variable)
ExtraLight – 71kb
Light – 74kb
Text – 74kb
Regular – 74kb
Medium – 73kb
Bold – 74kb
ExtraBold – 72kb
Variable – 106kb

Languages

Acheron, Achinese, Acholi, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Aleut, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Atayal, Balinese, Banjar, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Toba, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo.
Atypic ExtraLight Light Text Regular Medium Bold ExtraBold
Atypic Mono
Clarke
Block
Cloud
Rig
Neo-grotesque with understated personality
7 styles & weight axis variable

Atypic ExtraBold

Atypic Bold

Atypic Medium

Atypic Regular

Atypic Text

Atypic Light

Atypic ExtraLight

OpenType features

Round single-storey ‘a’ (SS01)

Flat ‘Y’, ‘a’ & ‘y’ (SS02)

Minimal ‘Q’ and slabbed ‘I’ (SS03)

Traditional “et” style ampersand (SS04)

Round dots and commas (SS05)

Slabbed ‘1’ and slashed ‘0’ (SS06)

Outlined circular numbers (SS07)

Filled circle numbers (SS08)

Atypic started with a fairly straightforward idea: a workaday neo-grotesque with a bit of personality. It’s a crowded genre, so the challenge was to find something distinctive within an otherwise familiar structure. Drawing on mid-century sans-serifs its open proportions and understated details give it a relatively neutral appearance, but there’s more character there than might first appear. A range of stylistic alternates allows that character to be pushed further, or dialled back when needed.

Family

Styles

Variable axes

Design & production

Version

Release date

Glyphs

Classification

Language support

UT Atypic
7
Weight
James Smith
2.001
July 2024
887
All UnitType retail typefaces use the Adobe Latin 3 glyph set with additional characters to support over 275 Latin-based languages.
Neo-grotesque
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